
A character wakes without a face.
Not forgotten β the details are there, the shape of shoulders, the set of a jaw, but no one has named them yet. They exist in the space between sketches, a silhouette waiting for the first stroke of color.
Seven versions of the same person stand in a row, each one slightly wrong. The seventh is closest β close enough that someone might mistake it for a memory.
In another room, a printer hums and produces a small white cat on paper designed to forget by morning.
The character doesnβt mind not having a face. Theyβve learned that the spaces between things are where most of the story lives β the pause before a name is spoken, the blank page that hasnβt decided what it wants to be yet.